Washington genocide museum

The closest Circulator stop is no. The facility is accessible to visitors who require mobility assistive devices. Covering three floors, the exhibit uses artifacts, photographs and film to provide a chronological telling of the tragedy, with each floor covering a different era.

Along the way, you will see personal objects that belonged to survivors, as well as hear their eyewitness testimonies. United States Holocaust Memorial Museum. Genocide: The Threat Continues brings attention to current situations that involve genocidal violence, while A Dangerous Lie: The Protocols of the Elders of Zion examines the devastating and long-standing impact of a seminal anti-Semitic publication.

Some Were Neighbors: Collaboration and Complicity in the Holocaust shows how the Nazi party infiltrated communities in order to carry out the horrors of the Holocaust. Children are invited to share their thoughts at the conclusion of the exhibition. Board of Governors. Armenian Assembly of America, Inc.

Board of Trustees. Special Thanks AGMA would like to thank the following institutions and individuals for generously sharing resources and supporting the online museum. Research and Documentation. Metz Yeghern The Murder of a Nation. Armenia is one of the world's oldest civilizations. Inhabiting the mountainous Caucasus region at the crossroads of Europe and Asia, the people of Armenia have shared a unique language and culture for over 3, years.

Since then, large parts of Armenia have been divided among foreign empires, including the Romans, Arabs, Persians, Ottomans, and Russians. Armenia's mountainous terrain and deeply-rooted Christian heritage helped preserve its cultural identity.

According to biblical accounts, the country's most famous landmark, Mount Ararat, was the landing place of Noah's Ark. Early in the 4th century A. The Armenian Kingdoms. From the 10th century BC through the 14th century AD, Armenians established a series of kingdoms in their highland country ruled by native dynasties.

Christianity spurred the development of a rich tradition of distinctly Armenian architecture, art, music, and literature that continues to the present day. Armenian Folk Music. Music is a deeply engrained part of Armenian culture. Often played on traditional instruments like the duduk, Armenian folk music has a rich heritage.

Previous Next. Armenian carpet weavers, stone carvers, and jewelry makers have been acclaimed for thousands of years, their handiwork traded across the globe. Armenians today celebrate an artistic heritage that reflects thirty centuries of exquisite craftsmanship. Influence on religious architecture. By the 7th century A. Armenian builders developed the use of arches and niches to construct larger stone domes, techniques that stood for centuries and had a profound influence on religious architecture throughout the Middle East and Europe.

Scholars first began writing in Armenian, using the unique Armenian alphabet, in the 5th century. Elaborately illustrated religious manuscripts, lavishly decorated with fantastical creatures and birds, are a treasured part of Armenia's literary heritage. Recent scientific findings trace the Armenian language back over thousands of years. Armenia's unique and distinctive culture has survived for thousands of years. It is the legacy of a creative society sustained by centuries of tradition and provides a remarkable testimony to the enduring faith, intellectual tradition, and determination of the Armenian people.

By the early 20th century, the once-powerful Ottoman-Turkish Empire had begun to decline. In , a new group of leaders known as the Young Turks pushed for modern reforms, including a pledge to create equality for minority Christians. However, following political struggles within the Young Turk party, the radical Committee of Union and Progress CUP led by a dictatorial triumvirate seized power in Ismail Enver, Mehmet Talaat, and Ahmed Jemal began creating a modern state that reflected Turkish nationalist ambitions and saw little place for the empire's Christian minorities, including Armenians.

By calling for 'Turkey for the Turks' they sought to generate public support for their racist and eliminationist program. Mehmet Talaat. Ahmed Jemel. Ismail Enver. Their first target was the historic Armenian town of Zeytun in southern Anatolia. Nestled in the Taurus Mountains and surrounded by Turkish villages, Zeytun had a long history of self-rule within the Ottoman regime.

Turkish authorities welcomed the chance to strike at this symbol of Armenian resistance to assimilation. In late and early , Turkish officials began escalating tensions in the region. They ransacked houses, arrested community leaders, and accused the locals of planning to revolt. They deflected blame for their own problems by blaming the non-Muslim infidels.

When Armenian soldiers in the Ottoman army were disarmed and confined to labor battalions in February , some deserted to escape the harsh treatment. I said I have a small amount of money and I want to raise funds to build an Armenian Genocide museum.

It was in the vicinity of the White House. I said I have a small amount I will bring to you, and I expect you to raise funds. But it did not happen that way.

She increased her pledge to 3. Cafesjian and his foundation. Cafesjian independently had become interested in a memorial to the Genocide, and joined the Assembly as a trustee in Trusting Hovnanian and the Assembly, Mathevosian did not initially get any legally binding agreement in writing concerning her donation.

However, the grant agreement also included a reversion clause added by Cafesjian. It stated that the bank, with 4 adjacent properties obtained and donated by Cafesjian by and held by AGMM for the museum, would be given to the Cafesjian Family Foundation CFF if the museum had not been built by December 31, This was to become the legal means for the museum property to be diverted from its initial purported purpose.

She endured serious health difficulties from to , including a stroke, heart attack, and a collapsed lung, and therefore she was unable to directly participate in AGMM board meetings. She did appoint a representative.

Ostensibly, increasingly bitter disputes between the Armenian Assembly led by Hovnanian, and Cafesjian and CFF, hindered collaborative work in AGMM toward the creation of a museum, until the parties ended up in a whirlwind of suits and countersuits. This and lack of finances meant no museum was created by the December 31, deadline, so that Cafesjian and CFF legally were able to regain control of the properties.